Locations that admit 4
Locations that admit 2
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Weisman Art Museum
http://www.weisman.umn.edu/
333 East River Road, Minneapolis, MN 55455
612-625-9494 Hours: Tues., Weds., Fri. 10am–5pm; Thurs. 10am–8pm; Sat. & Sun. 11am–5pm
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You can’t miss the distinctive stainless steel and brick building
designed by architect Frank Gehry. Step inside to take in the museum’s
incredible collection of early 20th century American artists such as
Georgia O’Keeffe and Marsden Hartley, as well as a diverse selection
of contemporary art. With our exciting array of programs and special
exhibitions, there is always something interesting to see and do at
the Weisman.
Passes are limited to general exhibit admission only.
Passes may not be applied towards educational and group tours.
Special exhibitions and other attractions may not be covered, and other restrictions may apply.
Please visit
http://www.weisman.umn.edu/
for specific exhibition information.
Learn more about it at your metro public library
All Ages
- The Building: Weisman Art Museum, Frank Gehry Designs
- University of Minnesota, and the Frederick R. Weisman Art Museum, 2003
- Georgia O'Keeffe Museum online
- website: www.okeeffemuseum.org/indexflash.php
- Mimbres Pottery at the National Museum of Natural History
- website: www.nmnh.si.edu/anthro/cm/mimbres.htm
- Weisman Art Museum: The Collection, The Museum
- Distributed by University of Minnesota Press, 2004
- Charles Biederman on-line
- website: www.charlesbiederman.net
- Modern Art: Painting, Sculpture, Architecture, Photography
- Sam Hunter, John Jacobus, and Daniel Wheeler, Prentice Hall, 2004
- Guggenheim Museum - Frank Gehry Exhibition
- website: http://www.guggenheim.org/exhibitions/past_exhibitions/gehry
- Roy Lichtenstein Foundation
- website: http://www.lichtensteinfoundation.org
- The Accidental Masterpiece: On the Art of Life and Vice Versa
- Michael Kimmelman, Penguin Press, 2005
- Art in the Modern Era: A Guide to Styles, Schools and Movements 1860 to the Present
- Amy Dempsey, Harry N. Abrams, 2002
- Everything that Rises: A Book of Convergences
- Lawrence Weschler, McSweeney's Books, 2006 yes
- How to Read a Modern Painting: Understanding and Enjoying the Modern Masters
- Jon Thompson, Abrams, 2006
- Makers of Modern Architecture
- Martin Filler, New York Review Books, 2007
- Pop
- edited by Mark Francis, Phaidon, 2005
- Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere
- Michael Kimmelman, Random House, 1998
- Writers on Artists
- In association with Modern Painters, Dorling Kindersley, 2001
Kids
- Faces, Places, and Inner Spaces: A Guide to Looking at Art
- Jean Sousa, Abrams Books for Young Readers/Published in Association with The Art Institute of Chicago, 2006
- More Than Meets the Eye: Seeing Art with All Five Senses
- Bob Raczka, Millbrook Press, 2003
- Seen Art?
- Jon Scieszka and Lane Smith, Viking, 2005
- There Goes the Neighborhood: Ten Buildings People Loved to Hate
- Susan Goldman Rubin, Holiday House, 2001
- Frank O. Gehry: Outside In
- Jan Greenberg, DK Ink, 2000
- Express Yourself: Activities and Adventures in Expressionism
- Joyce Raimondo, Watson-Guptill Publications, 2005
- How Artists Use… (series)
- Paul Flux, Heinemann Library, 2001
- Make it Pop!: Activities and Adventures in Pop Art
- Joyce Raimondo, Watson-Guptil Publications, 2006
- My Name is Georgia: A Portrait
- Jeannette Winter, Silver Whistle/Harcourt Brace, 1998
- The Shape Game
- Anthony Browne, Farra, Straus and Giroux, 2003
- What Is a Sculpture?
- Anne Civardi, Sea-To-Sea Publications, 2006
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Upcoming Events
The Exquisite Book: The International Library by Helmut Löhr, et al., December 2007-Ongoing
The Exquisite Book features selections from Helmut Löhr's ongoing project, The International Library. For this project, Löhr created a series of altered books with their torn pages on the outside and their covers on the inside, and sent them to a number of artist-collaborators around the globe who were charged with further transforming them and returning them to Löhr. The Exquisite Book features collaborations with such internationally renowned artists as Lawrence Weiner, Buzz Spector, and Doug Beube. Also featured are several Twin Cities-based artists including James Conaway, Harriet Bart, and Nancy Randall.
Who is a Citizen? What is Citizenship?, December 2007-Ongoing
Curated from the Weisman's permanent collection, Who is a Citizen? What is Citizenship? features thirty paintings, photographs, and prints exploring citizenship, ranging from Lewis Hine's photographic portraits of immigrants at Ellis Island taken in 1905 to Twin Cities photographer Joseph Allen's contemporary portraits of American Indians. Other artists included in the exhibition are Jacob Lawrence, Robert Gwathmey, Isabel Bishop, Rockwell Kent, Walker Evans, Joseph Beuys, Jerome Liebling, Thomas Arndt, and Sue Coe. The exhibition features three thematic sections: "Who is a Citizen?," "Civic Life in the City," and "The Artist as Citizen." This exhibit is the first in a year-long series of WAM exhibitions and programs examining the role of art and artists in a democracy.
By the People, for the People: New Deal Art, May 8 - July 27
The Weisman Art Museum holds a vast and diverse collection of art created as part of the New Deal programs of the 1930s and 1940s. New Deal programs were launched by President Franklin Delano Roosevelt in 1933 to provide relief, reform, and recovery to the people and economy of the United States following the Great Depression. The New Deal programs employed millions of people, including thousands of artists. The Weisman is an official federal repository of some 1,000 works created by nearly 200 New Deal artists. The museum's collection includes prints, photographs, paintings, murals, and other works that survey the accomplishments of New Deal artists from Minnesota and across the country--artists like Dorothea Lau, Walker Evans, Edward Weston, and others who went on to accomplished artistic careers after the New Deal programs ended in the early 1940s. "By the People, for the People" showcases selections from the Weisman's vast holdings in this area, including several pieces by artists working on the University of Minnesota campus in the 1930s. The show also highlights works by women artists employed by the New Deal programs.
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